{"id":70817,"date":"2026-05-12T17:28:07","date_gmt":"2026-05-12T17:28:07","guid":{"rendered":"https:\/\/supein.tuespecialistaweb.com\/product\/nihonto-tanto-daijo-sadakuni-nbthk-hozon-x2\/"},"modified":"2026-05-12T17:28:07","modified_gmt":"2026-05-12T17:28:07","slug":"nihonto-tanto-daijo-sadakuni-nbthk-hozon-x2","status":"publish","type":"product","link":"https:\/\/supein.tuespecialistaweb.com\/fr\/produit\/nihonto-tanto-daijo-sadakuni-nbthk-hozon-x2\/","title":{"rendered":"Nihonto Tanto \u00ab\u00a0Daij\u014d Sadakuni\u00a0\u00bb NBTHK Hozon x2"},"content":{"rendered":"<p><strong>ITEM DESCRIPTION:<\/strong><\/p>\n<p>Comes with kimono or cotton bag. Comes with certificate of supein Nihonto. Comes with copy of Tokosusho. Comes with NBTHK Hozon for blade and for koshirae<\/p>\n<h3 data-start=\"5354\" data-end=\"5371\">Documentation<\/h3>\n<p data-start=\"5373\" data-end=\"5510\">This piece is accompanied by official Japanese registration (torokusho) and two NBTHK papers, one for the blade and one for the mounting.<\/p>\n<p data-start=\"5512\" data-end=\"5611\"><strong data-start=\"5512\" data-end=\"5557\">Torokusho (Tokyo Registration No. 254263)<\/strong><br data-start=\"5557\" data-end=\"5560\" \/>Literal reading and translation of the main fields:<\/p>\n<ul data-start=\"5613\" data-end=\"5994\">\n<li data-start=\"5613\" data-end=\"5644\">\n<p data-start=\"5615\" data-end=\"5644\"><strong data-start=\"5615\" data-end=\"5628\">Type (\u7a2e\u5225)<\/strong>: \u77ed\u5200 \u2014 <em data-start=\"5635\" data-end=\"5642\">Tant\u014d<\/em><\/p>\n<\/li>\n<li data-start=\"5645\" data-end=\"5673\">\n<p data-start=\"5647\" data-end=\"5673\"><strong data-start=\"5647\" data-end=\"5662\">Length (\u9577\u3055)<\/strong>: 30.0 cm<\/p>\n<\/li>\n<li data-start=\"5674\" data-end=\"5704\">\n<p data-start=\"5676\" data-end=\"5704\"><strong data-start=\"5676\" data-end=\"5694\">Curvature (\u53cd\u308a)<\/strong>: 0.1 cm<\/p>\n<\/li>\n<li data-start=\"5705\" data-end=\"5735\">\n<p data-start=\"5707\" data-end=\"5735\"><strong data-start=\"5707\" data-end=\"5728\">Mekugi-ana (\u76ee\u304f\u304e\u7a74)<\/strong>: Two<\/p>\n<\/li>\n<li data-start=\"5736\" data-end=\"5794\">\n<p data-start=\"5738\" data-end=\"5794\"><strong data-start=\"5738\" data-end=\"5767\">Inscription \/ Mei (\u9298\u6587 \u8868\u88cf)<\/strong>: \u7121\u9298 \u2014 <em data-start=\"5774\" data-end=\"5792\">Mumei (unsigned)<\/em><\/p>\n<\/li>\n<li data-start=\"5919\" data-end=\"5994\">\n<p data-start=\"5921\" data-end=\"5994\"><strong data-start=\"5921\" data-end=\"5942\">Issuing Authority<\/strong>: \u6771\u4eac\u90fd\u6559\u80b2\u59d4\u54e1\u4f1a \u2014 <em data-start=\"5955\" data-end=\"5994\">Tokyo Metropolitan Board of Education<\/em><\/p>\n<\/li>\n<\/ul>\n<p data-start=\"5996\" data-end=\"6053\">Main reading:<\/p>\n<ul data-start=\"6055\" data-end=\"6209\">\n<li data-start=\"6055\" data-end=\"6137\">\n<p data-start=\"6057\" data-end=\"6137\"><strong data-start=\"6057\" data-end=\"6076\">\u4e00\u3001\u77ed\u5200 \u7121\u9298\uff08\u80a5\u5f8c\u5927\u63be\u8c9e\u56fd\uff09<\/strong><br data-start=\"6076\" data-end=\"6079\" \/><em data-start=\"6081\" data-end=\"6135\">One tant\u014d, mumei (attributed to Higo Daij\u014d Sadakuni)<\/em><\/p>\n<\/li>\n<li data-start=\"6138\" data-end=\"6209\">\n<p data-start=\"6140\" data-end=\"6209\"><strong data-start=\"6140\" data-end=\"6150\">\u9577\u4e5d\u5bf8\u4e5d\u5206\u5f37<\/strong><br data-start=\"6150\" data-end=\"6153\" \/><em data-start=\"6155\" data-end=\"6209\">Length: 9 sun 9 bu and a little over (approx. 30 cm)<\/em><\/p>\n<\/li>\n<\/ul>\n<p data-start=\"6211\" data-end=\"6317\">Certification text confirms the blade as <strong data-start=\"6252\" data-end=\"6267\">Hozon T\u014dken<\/strong>.<\/p>\n<p data-start=\"6211\" data-end=\"6317\"><br data-start=\"6268\" data-end=\"6271\" \/>Main reading:<\/p>\n<ul data-start=\"6381\" data-end=\"6821\">\n<li data-start=\"6381\" data-end=\"6481\">\n<p data-start=\"6383\" data-end=\"6481\"><strong data-start=\"6383\" data-end=\"6400\">\u4e00\u3001\u8336\u6f06\u5857\u873b\u86c9\u8494\u7d75\u9798\u77ed\u5200\u62f5<\/strong><br data-start=\"6400\" data-end=\"6403\" \/><em data-start=\"6405\" data-end=\"6481\">Tant\u014d mounting with tea-brown lacquer saya decorated with dragonfly maki-e<\/em><\/p>\n<\/li>\n<li data-start=\"6482\" data-end=\"6600\">\n<p data-start=\"6484\" data-end=\"6600\"><strong data-start=\"6484\" data-end=\"6502\">\u7e01\u982d\u30fb\u5c0f\u67c4\u30fb\u9354\u3000\u52dd\u866b\u56f3\u3000\u7121\u9298<\/strong><br data-start=\"6502\" data-end=\"6505\" \/><em data-start=\"6507\" data-end=\"6600\">Fuchi-kashira, kozuka and tsuba with kachimushi (dragonfly \/ \u201cvictory insect\u201d) motif, mumei<\/em><\/p>\n<\/li>\n<li data-start=\"6601\" data-end=\"6661\">\n<p data-start=\"6603\" data-end=\"6661\"><strong data-start=\"6603\" data-end=\"6616\">\u76ee\u8cab\u3000\u79cb\u866b\u56f3\u3000\u7121\u9298<\/strong><br data-start=\"6616\" data-end=\"6619\" \/><em data-start=\"6621\" data-end=\"6661\">Menuki with autumn insect motif, mumei<\/em><\/p>\n<\/li>\n<li data-start=\"6662\" data-end=\"6731\">\n<p data-start=\"6664\" data-end=\"6731\"><strong data-start=\"6664\" data-end=\"6677\">\u943a\u3000\u77f3\u76ee\u6587\u56f3\u3000\u7121\u9298<\/strong><br data-start=\"6677\" data-end=\"6680\" \/><em data-start=\"6682\" data-end=\"6731\">Kojiri with ishime-style textured design, mumei<\/em><\/p>\n<\/li>\n<li data-start=\"6732\" data-end=\"6821\">\n<p data-start=\"6734\" data-end=\"6821\"><strong data-start=\"6734\" data-end=\"6750\">\u67c4\u3000\u767d\u9bab\u7740\u3000\u9ed2\u8272\u7cf8\u8af8\u637b\u5dfb<\/strong><br data-start=\"6750\" data-end=\"6753\" \/><em data-start=\"6755\" data-end=\"6821\">Tsuka with white samegawa and black silk cord in morohineri-maki<\/em><\/p>\n<\/li>\n<\/ul>\n<p data-start=\"6823\" data-end=\"6929\">Certification text confirms the mounting as <strong data-start=\"6867\" data-end=\"6883\">Hozon T\u014ds\u014dgu<\/strong>.<br data-start=\"6884\" data-end=\"6887\" \/>\n<\/p>\n<h3 data-start=\"4535\" data-end=\"4563\">Smith, school and period<\/h3>\n<p data-start=\"4565\" data-end=\"4766\">The blade is attributed to <strong data-start=\"4592\" data-end=\"4615\">Higo Daij\u014d Sadakuni<\/strong>, an important Higo smith active during the <strong data-start=\"4659\" data-end=\"4765\">transition from the Azuchi-Momoyama period into the early Edo period (late 16th to early 17th century)<\/strong>.<\/p>\n<p data-start=\"4768\" data-end=\"5036\">Working within the Higo tradition associated with the milieu of <strong data-start=\"4832\" data-end=\"4849\">Kat\u014d Kiyomasa<\/strong>, Sadakuni\u2019s output is noted for strong, purposeful blades often paired with meaningful symbolic decoration. The Hozon attribution firmly places this tant\u014d within that historical lineage.<\/p>\n<p data-start=\"7234\" data-end=\"7513\">The honorary title <strong data-start=\"7253\" data-end=\"7262\">Daij\u014d<\/strong> reinforces the impression of an established and respected workshop tradition. The combination of an attributed blade and a separately papered koshirae gives this set exceptional strength: quality steel paired with a fully coherent ornamental program.<\/p>\n<h3 data-start=\"7515\" data-end=\"7524\">Blade<\/h3>\n<p data-start=\"7526\" data-end=\"7720\">An elegant tant\u014d of refined proportions and mature presence, with <strong data-start=\"7592\" data-end=\"7610\">30.0 cm nagasa<\/strong> and <strong data-start=\"7615\" data-end=\"7644\">slight curvature (0.1 cm)<\/strong>. The overall silhouette is clean, taut, and very well suited to the format.<\/p>\n<p data-start=\"7722\" data-end=\"8087\">The defining feature of the blade is its <strong data-start=\"7763\" data-end=\"7780\">rich horimono<\/strong>, carved in an elongated panel with a <strong data-start=\"7818\" data-end=\"7863\">dragon motif of strong esoteric character<\/strong>, deeply executed and sharply readable. The reverse side carries <strong data-start=\"7928\" data-end=\"7953\">parallel grooves (hi)<\/strong> and an engraved <strong data-start=\"7970\" data-end=\"7979\">bonji<\/strong>, reinforcing the devotional and protective visual language associated with this class of ornamented blades.<\/p>\n<p data-start=\"8089\" data-end=\"8361\">The <strong data-start=\"8093\" data-end=\"8103\">nakago<\/strong> is <strong data-start=\"8107\" data-end=\"8116\">mumei<\/strong>, with <strong data-start=\"8123\" data-end=\"8141\">two mekugi-ana<\/strong>, established old patina, and a general character fully in harmony with the attribution. The piece delivers the combination that distinguishes memorable examples: presence in the steel and high-level symbolic decoration.<\/p>\n<h3 data-start=\"8363\" data-end=\"8398\">Koshirae and thematic coherence<\/h3>\n<p data-start=\"8400\" data-end=\"8676\">The mounting is one of the set\u2019s greatest strengths. This is a <strong data-start=\"8463\" data-end=\"8489\">papered tant\u014d koshirae<\/strong> with a fully unified ornamental concept centered on the world of insects, led by the <strong data-start=\"8575\" data-end=\"8623\">dragonfly (kachimushi, the \u201cvictory insect\u201d)<\/strong>, a symbol deeply rooted in Japanese martial culture.<\/p>\n<p data-start=\"8678\" data-end=\"9046\">The <strong data-start=\"8682\" data-end=\"8690\">saya<\/strong>, finished in <strong data-start=\"8704\" data-end=\"8738\">tea-brown lacquer (cha-urushi)<\/strong>, is decorated with <strong data-start=\"8758\" data-end=\"8778\">dragonfly maki-e<\/strong> of striking visual impact. The composition alternates golden dragonflies with mottled lacquer passages of rich color variation, creating a sophisticated, lively, and distinctly Japanese appearance. The <strong data-start=\"8981\" data-end=\"8996\">brown sageo<\/strong> complements the whole with restraint and balance.<\/p>\n<p data-start=\"9048\" data-end=\"9263\">The <strong data-start=\"9052\" data-end=\"9061\">tsuka<\/strong> is mounted with <strong data-start=\"9078\" data-end=\"9096\">white samegawa<\/strong> under <strong data-start=\"9103\" data-end=\"9122\">black tsuka-ito<\/strong> in <strong data-start=\"9126\" data-end=\"9145\">morohineri-maki<\/strong>, producing a classic contrast and strong visual authority. The result is an elegant, secure, and highly refined grip.<\/p>\n<p data-start=\"9265\" data-end=\"9521\">The <strong data-start=\"9269\" data-end=\"9305\">fuchi-kashira, kozuka, and tsuba<\/strong> are certified with <strong data-start=\"9325\" data-end=\"9339\">kachimushi<\/strong> motif, while the <strong data-start=\"9357\" data-end=\"9367\">menuki<\/strong> feature <strong data-start=\"9376\" data-end=\"9394\">autumn insects<\/strong>, creating exceptional iconographic continuity. The <strong data-start=\"9446\" data-end=\"9472\">ishime-textured kojiri<\/strong> provides a sober and distinguished final accent.<\/p>\n<p data-start=\"9265\" data-end=\"9521\">n Japanese martial culture the dragonfly was known as <strong data-start=\"6186\" data-end=\"6224\">kachimushi \u2014 the \u201cvictory insect.\u201d<\/strong> It symbolized forward movement and success in battle, making it a highly favored motif among the warrior class.<\/p>\n<h3 data-start=\"9523\" data-end=\"9543\">Auxiliary pieces<\/h3>\n<p data-start=\"9545\" data-end=\"9806\">The set includes a <strong data-start=\"9564\" data-end=\"9574\">kozuka<\/strong> in complete thematic harmony, with a large dragonfly in relief and excellent sculptural presence, as well as an accompanying <strong data-start=\"9700\" data-end=\"9713\">shirasaya<\/strong>, adding an important conservation and presentation dimension prized in pieces of this level.<\/p>\n<h3 data-start=\"9808\" data-end=\"9829\">Technical summary<\/h3>\n<p data-start=\"9831\" data-end=\"10359\"><strong data-start=\"9831\" data-end=\"9839\">Type<\/strong>: Tant\u014d<br data-start=\"9846\" data-end=\"9849\" \/><strong data-start=\"9849\" data-end=\"9862\">Signature<\/strong>: Mumei<br data-start=\"9869\" data-end=\"9872\" \/><strong data-start=\"9872\" data-end=\"9901\">NBTHK Attribution (blade)<\/strong>: \u80a5\u5f8c\u5927\u63be\u8c9e\u56fd (Higo Daij\u014d Sadakuni)<br data-start=\"9931\" data-end=\"9934\" \/><strong data-start=\"9934\" data-end=\"9944\">Period<\/strong>: Edo<br data-start=\"9949\" data-end=\"9952\" \/><strong data-start=\"9952\" data-end=\"9962\">Nagasa<\/strong>: 30.0 cm (torokusho) \/ \u9577\u4e5d\u5bf8\u4e5d\u5206\u5f37 (NBTHK)<br data-start=\"10000\" data-end=\"10003\" \/><strong data-start=\"10003\" data-end=\"10011\">Sori<\/strong>: 0.1 cm<br data-start=\"10019\" data-end=\"10022\" \/><strong data-start=\"10022\" data-end=\"10036\">Mekugi-ana<\/strong>: 2<br data-start=\"10039\" data-end=\"10042\" \/><strong data-start=\"10228\" data-end=\"10247\">Mounting motifs<\/strong>: Dragonflies (kachimushi), autumn insects, ishime-textured kojiri<br data-start=\"10313\" data-end=\"10316\" \/><strong data-start=\"10316\" data-end=\"10339\">Additional mounting<\/strong>: Shirasaya included<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ITEM DESCRIPTION: Comes with kimono or cotton bag. Comes with certificate of supein Nihonto. Comes with copy of Tokosusho. Comes with NBTHK Hozon for blade and for koshirae Documentation This piece is accompanied by official Japanese registration (torokusho) and two NBTHK papers, one for the blade and one for the mounting. Torokusho (Tokyo Registration No. 254263)Literal reading and translation of the main fields: Type (\u7a2e\u5225): \u77ed\u5200 \u2014 Tant\u014d Length (\u9577\u3055): 30.0 cm Curvature (\u53cd\u308a): 0.1 cm Mekugi-ana (\u76ee\u304f\u304e\u7a74): Two Inscription \/ Mei (\u9298\u6587 \u8868\u88cf): \u7121\u9298 \u2014 Mumei (unsigned) Issuing Authority: \u6771\u4eac\u90fd\u6559\u80b2\u59d4\u54e1\u4f1a \u2014 Tokyo Metropolitan Board of Education Main reading: \u4e00\u3001\u77ed\u5200 \u7121\u9298\uff08\u80a5\u5f8c\u5927\u63be\u8c9e\u56fd\uff09One tant\u014d, mumei (attributed to Higo Daij\u014d Sadakuni) \u9577\u4e5d\u5bf8\u4e5d\u5206\u5f37Length: 9 sun 9 bu and a little over (approx. 30 cm) Certification text confirms the blade as Hozon T\u014dken. Main reading: \u4e00\u3001\u8336\u6f06\u5857\u873b\u86c9\u8494\u7d75\u9798\u77ed\u5200\u62f5Tant\u014d mounting with tea-brown lacquer saya decorated with dragonfly maki-e \u7e01\u982d\u30fb\u5c0f\u67c4\u30fb\u9354\u3000\u52dd\u866b\u56f3\u3000\u7121\u9298Fuchi-kashira, kozuka and tsuba with kachimushi (dragonfly \/ \u201cvictory insect\u201d) motif, mumei \u76ee\u8cab\u3000\u79cb\u866b\u56f3\u3000\u7121\u9298Menuki with autumn insect motif, mumei \u943a\u3000\u77f3\u76ee\u6587\u56f3\u3000\u7121\u9298Kojiri with ishime-style textured design, mumei \u67c4\u3000\u767d\u9bab\u7740\u3000\u9ed2\u8272\u7cf8\u8af8\u637b\u5dfbTsuka with white samegawa and black silk cord in morohineri-maki Certification text confirms the mounting as Hozon T\u014ds\u014dgu. Smith, school and period The blade is attributed to Higo Daij\u014d Sadakuni, an important Higo smith active during the transition from the Azuchi-Momoyama period into the early Edo period (late 16th to early 17th century). Working within the Higo tradition associated with the milieu of Kat\u014d Kiyomasa, Sadakuni\u2019s output is noted for strong, purposeful blades often paired with meaningful symbolic decoration. The Hozon attribution firmly places this tant\u014d within that historical lineage. The honorary title Daij\u014d reinforces the impression of an established and respected workshop tradition. The combination of an attributed blade and a separately papered koshirae gives this set exceptional strength: quality steel paired with a fully coherent ornamental program. Blade An elegant tant\u014d of refined proportions and mature presence, with 30.0 cm nagasa and slight curvature (0.1 cm). The overall silhouette is clean, taut, and very well suited to the format. The defining feature of the blade is its rich horimono, carved in an elongated panel with a dragon motif of strong esoteric character, deeply executed and sharply readable. The reverse side carries parallel grooves (hi) and an engraved bonji, reinforcing the devotional and protective visual language associated with this class of ornamented blades. The nakago is mumei, with two mekugi-ana, established old patina, and a general character fully in harmony with the attribution. The piece delivers the combination that distinguishes memorable examples: presence in the steel and high-level symbolic decoration. Koshirae and thematic coherence The mounting is one of the set\u2019s greatest strengths. This is a papered tant\u014d koshirae with a fully unified ornamental concept centered on the world of insects, led by the dragonfly (kachimushi, the \u201cvictory insect\u201d), a symbol deeply rooted in Japanese martial culture. The saya, finished in tea-brown lacquer (cha-urushi), is decorated with dragonfly maki-e of striking visual impact. The composition alternates golden dragonflies with mottled lacquer passages of rich color variation, creating a sophisticated, lively, and distinctly Japanese appearance. The brown sageo complements the whole with restraint and balance. The tsuka is mounted with white samegawa under black tsuka-ito in morohineri-maki, producing a classic contrast and strong visual authority. The result is an elegant, secure, and highly refined grip. The fuchi-kashira, kozuka, and tsuba are certified with kachimushi motif, while the menuki feature autumn insects, creating exceptional iconographic continuity. The ishime-textured kojiri provides a sober and distinguished final accent. n Japanese martial culture the dragonfly was known as kachimushi \u2014 the \u201cvictory insect.\u201d It symbolized forward movement and success in battle, making it a highly favored motif among the warrior class. Auxiliary pieces The set includes a kozuka in complete thematic harmony, with a large dragonfly in relief and excellent sculptural presence, as well as an accompanying shirasaya, adding an important conservation and presentation dimension prized in pieces of this level. Technical summary Type: Tant\u014dSignature: MumeiNBTHK Attribution (blade): \u80a5\u5f8c\u5927\u63be\u8c9e\u56fd (Higo Daij\u014d Sadakuni)Period: EdoNagasa: 30.0 cm (torokusho) \/ \u9577\u4e5d\u5bf8\u4e5d\u5206\u5f37 (NBTHK)Sori: 0.1 cmMekugi-ana: 2Mounting motifs: Dragonflies (kachimushi), autumn insects, ishime-textured kojiriAdditional mounting: Shirasaya included<\/p>\n","protected":false},"featured_media":54528,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[353,357],"product_tag":[355,356],"class_list":{"0":"post-70817","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-nihonto","7":"product_cat-tanto","8":"product_tag-katana","9":"product_tag-nihonto","10":"product_shipping_class-swords","12":"first","13":"outofstock","14":"sold-individually","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nihonto Tanto &quot;Daij\u014d Sadakuni&quot; NBTHK Hozon x2 - Supein Nihonto<\/title>\n<meta name=\"description\" content=\"The blade is attributed to Higo Daij\u014d Sadakuni, an important Higo smith active during the transition from the Azuchi-Momoyama period into the early Edo period (late 16th to early 17th century).Working within the Higo tradition associated with the milieu of Kat\u014d Kiyomasa, Sadakuni\u2019s output is noted for strong, purposeful blades often paired with meaningful symbolic decoration. The Hozon attribution firmly places this tant\u014d within that historical lineage.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nihonto Tanto &quot;Daij\u014d Sadakuni&quot; NBTHK Hozon x2 - Supein Nihonto\" \/>\n<meta property=\"og:description\" content=\"The blade is attributed to Higo Daij\u014d Sadakuni, an important Higo smith active during the transition from the Azuchi-Momoyama period into the early Edo period (late 16th to early 17th century).Working within the Higo tradition associated with the milieu of Kat\u014d Kiyomasa, Sadakuni\u2019s output is noted for strong, purposeful blades often paired with meaningful symbolic decoration. The Hozon attribution firmly places this tant\u014d within that historical lineage.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/supein.tuespecialistaweb.com\/fr\/produit\/nihonto-tanto-daijo-sadakuni-nbthk-hozon-x2\/\" \/>\n<meta property=\"og:site_name\" content=\"Supein Nihonto\" \/>\n<meta property=\"og:image\" content=\"https:\/\/supein.tuespecialistaweb.com\/wp-content\/uploads\/2026\/05\/logo-sold-scaled-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1536\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/supein.tuespecialistaweb.com\\\/fr\\\/produit\\\/nihonto-tanto-daijo-sadakuni-nbthk-hozon-x2\\\/\",\"url\":\"https:\\\/\\\/supein.tuespecialistaweb.com\\\/fr\\\/produit\\\/nihonto-tanto-daijo-sadakuni-nbthk-hozon-x2\\\/\",\"name\":\"Nihonto Tanto \\\"Daij\u014d Sadakuni\\\" NBTHK Hozon x2 - Supein Nihonto\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/supein.tuespecialistaweb.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/supein.tuespecialistaweb.com\\\/fr\\\/produit\\\/nihonto-tanto-daijo-sadakuni-nbthk-hozon-x2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/supein.tuespecialistaweb.com\\\/fr\\\/produit\\\/nihonto-tanto-daijo-sadakuni-nbthk-hozon-x2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/supein.tuespecialistaweb.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/logo-sold-scaled-1.png\",\"datePublished\":\"2026-05-12T17:28:07+00:00\",\"description\":\"The blade is attributed to Higo Daij\u014d Sadakuni, an important Higo smith active during the transition from the Azuchi-Momoyama period into the early Edo period (late 16th to early 17th century).Working within the Higo tradition associated with the milieu of Kat\u014d Kiyomasa, Sadakuni\u2019s output is noted for strong, purposeful blades often paired with meaningful symbolic decoration. 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