{"id":70849,"date":"2026-05-12T17:28:06","date_gmt":"2026-05-12T17:28:06","guid":{"rendered":"https:\/\/supein.tuespecialistaweb.com\/product\/nihonto-katana-dark-koshirae\/"},"modified":"2026-05-12T17:28:06","modified_gmt":"2026-05-12T17:28:06","slug":"nihonto-katana-dark-koshirae","status":"publish","type":"product","link":"https:\/\/supein.tuespecialistaweb.com\/fr\/produit\/nihonto-katana-dark-koshirae\/","title":{"rendered":"Nihonto Katana Dark Koshirae"},"content":{"rendered":"<p><span>ITEM DESCRIPTION:<\/span><\/p>\n<p>Comes with kimono or cotton bag. Comes with certificate of supein Nihonto. Comes with copy of Tokorusho.<\/p>\n<div class=\"TyagGW_tableContainer\">\n<h3 data-section-id=\"8q6zro\" data-start=\"5993\" data-end=\"6010\">Documentation<\/h3>\n<p data-start=\"4365\" data-end=\"4405\">Reading and translation of the document:<\/p>\n<p data-start=\"4533\" data-end=\"4660\"><strong data-start=\"4533\" data-end=\"4542\">Type:<\/strong> Katana<br data-start=\"4549\" data-end=\"4552\" \/><strong data-start=\"4552\" data-end=\"4569\">Blade length:<\/strong> 69.6 cm<br data-start=\"4577\" data-end=\"4580\" \/><strong data-start=\"4580\" data-end=\"4601\">Curvature (sori):<\/strong> 1.0 cm<br data-start=\"4608\" data-end=\"4611\" \/><strong data-start=\"4611\" data-end=\"4626\">Mekugi-ana:<\/strong> 3<br data-start=\"4628\" data-end=\"4631\" \/><strong data-start=\"4631\" data-end=\"4645\">Signature:<\/strong> \u7121\u9298 \u2014 <strong data-start=\"4651\" data-end=\"4660\">mumei<\/strong><\/p>\n<p data-start=\"4662\" data-end=\"4672\"><strong data-start=\"4662\" data-end=\"4672\">Period<\/strong><\/p>\n<p data-start=\"4674\" data-end=\"4990\">Japanese <strong data-start=\"4683\" data-end=\"4692\">mumei<\/strong> katana, cataloguable as <strong data-start=\"4717\" data-end=\"4774\">late Muromachi or early Edo period, 16th\u201317th century<\/strong>. The blade displays a highly sober silhouette, with restrained curvature and a balanced, functional and martial presence fully in keeping with late Muromachi workmanship and the transition into the early Edo period.<\/p>\n<p data-start=\"4992\" data-end=\"5001\"><strong data-start=\"4992\" data-end=\"5001\">Blade<\/strong><\/p>\n<p data-start=\"5003\" data-end=\"5240\">The sword shows a <strong data-start=\"5021\" data-end=\"5049\">clean and elegant sugata<\/strong>, with good length and very attractive overall proportions. The curvature is moderate, producing a sober, practical and well-resolved line. The kissaki is properly shaped and visually strong.<\/p>\n<p data-start=\"5242\" data-end=\"5595\">The <strong data-start=\"5246\" data-end=\"5255\">hamon<\/strong> is clearly visible and pleasing, developing in a <strong data-start=\"5305\" data-end=\"5343\">gunome-midare with notare tendency<\/strong>, creating a lively, undulating and organic temper line along the edge. It has movement, personality and strong visual appeal. In the kissaki area, the hardening continues coherently into the boshi, reinforcing the good overall impression of the blade.<\/p>\n<p data-start=\"5597\" data-end=\"5858\">The <strong data-start=\"5601\" data-end=\"5611\">jihada<\/strong>\u00a0surface retains a very respectable appearance and attractive visual reading within the current polish. The whole blade conveys authenticity, age and a well-preserved classical Japanese aesthetic.<\/p>\n<p data-start=\"5860\" data-end=\"6147\">The <strong data-start=\"5864\" data-end=\"5874\">nakago<\/strong>, with <strong data-start=\"5881\" data-end=\"5901\">three mekugi-ana<\/strong> and well-established old patina, gives the piece a strong sense of historical life. Along the <strong data-start=\"5996\" data-end=\"6004\">mune<\/strong>, there is <strong data-start=\"6015\" data-end=\"6038\">light old oxidation<\/strong>, discreet and fully integrated into the character of the sword, without in any way harming its presentation.<\/p>\n<p data-start=\"6149\" data-end=\"6161\"><strong data-start=\"6149\" data-end=\"6161\">Koshirae<\/strong><\/p>\n<p data-start=\"6163\" data-end=\"6293\">The katana is accompanied by a <strong data-start=\"6194\" data-end=\"6215\">complete koshirae<\/strong> of dark, refined appearance, highly coherent with the character of the blade.<\/p>\n<p data-start=\"6295\" data-end=\"6679\">The <strong data-start=\"6299\" data-end=\"6307\">saya<\/strong>, finished in glossy black lacquer, gives the sword a sober and elegant visual identity. The <strong data-start=\"6400\" data-end=\"6409\">tsuka<\/strong>, wrapped in <strong data-start=\"6422\" data-end=\"6441\">black tsuka-ito<\/strong> over <strong data-start=\"6447\" data-end=\"6465\">light samegawa<\/strong>, preserves the classic contrast that always works so well in serious and distinguished mountings. The <strong data-start=\"6568\" data-end=\"6583\">gilt menuki<\/strong> introduce a subtle decorative accent that enriches the ensemble without disturbing its balance.<\/p>\n<p data-start=\"6681\" data-end=\"7081\">The <strong data-start=\"6685\" data-end=\"6694\">fuchi<\/strong> displays floral relief decoration with gilt details, delicate and well integrated. The <strong data-start=\"6782\" data-end=\"6791\">tsuba<\/strong>, in iron and rounded form, has a solid classical presence, with relief decoration that complements the rest of the mounting very well. The <strong data-start=\"6931\" data-end=\"6941\">habaki<\/strong>, in a golden tone, finishes the base of the blade convincingly and completes a visually powerful mounting highly attractive for collection.<\/p>\n<p data-start=\"7083\" data-end=\"7300\">This <strong data-start=\"7088\" data-end=\"7100\">koshirae<\/strong>, beyond protecting the sword, gives it body, identity and presence. Compared to the austere nakedness of a shirasaya, this is a mounting with visual weight, historical charm and clear display appeal.<\/p>\n<p data-start=\"7302\" data-end=\"7316\"><strong data-start=\"7302\" data-end=\"7316\">Conclusion<\/strong><\/p>\n<p data-start=\"7318\" data-end=\"7735\">This is a <strong data-start=\"7328\" data-end=\"7388\">mumei katana from the late Muromachi to early Edo period<\/strong>, with direct, classical and distinctly Japanese presence. Its length, visible hamon, old three-hole nakago, and elegant complete koshirae come together in a set of strong visual and commercial appeal. It is a piece that immediately attracts the eye, while also preserving the depth of authenticity and age that serious collectors genuinely value.<\/p>\n<p data-start=\"7737\" data-end=\"7756\"><strong data-start=\"7737\" data-end=\"7756\">Technical sheet<\/strong><\/p>\n<p data-start=\"7758\" data-end=\"8263\">Japanese katana<br data-start=\"7773\" data-end=\"7776\" \/>Mumei<br data-start=\"7781\" data-end=\"7784\" \/>Period: late Muromachi \u2013 early Edo, 16th\u201317th century<br data-start=\"7837\" data-end=\"7840\" \/>Nagasa: 69.6 cm<br data-start=\"7915\" data-end=\"7918\" \/>Sori: 1.0 cm<br data-start=\"7930\" data-end=\"7933\" \/>Mekugi-ana: 3<br data-start=\"7946\" data-end=\"7949\" \/>Hamon: gunome-midare with notare tendency<br data-start=\"7990\" data-end=\"7993\" \/>Nakago: old patina, 3 mekugi-ana<br data-start=\"8025\" data-end=\"8028\" \/>Condition: good overall presentation; light old, discreet oxidation on the mune<br data-start=\"8107\" data-end=\"8110\" \/>Mounting: complete koshirae<br data-start=\"8137\" data-end=\"8140\" \/>Saya: black lacquer<br data-start=\"8159\" data-end=\"8162\" \/>Tsuka: black tsuka-ito over light samegawa<br data-start=\"8204\" data-end=\"8207\" \/>Tsuba: iron with relief decoration<br data-start=\"8241\" data-end=\"8244\" \/>Habaki: golden tone<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ITEM DESCRIPTION: Comes with kimono or cotton bag. Comes with certificate of supein Nihonto. Comes with copy of Tokorusho. Documentation Reading and translation of the document: Type: KatanaBlade length: 69.6 cmCurvature (sori): 1.0 cmMekugi-ana: 3Signature: \u7121\u9298 \u2014 mumei Period Japanese mumei katana, cataloguable as late Muromachi or early Edo period, 16th\u201317th century. The blade displays a highly sober silhouette, with restrained curvature and a balanced, functional and martial presence fully in keeping with late Muromachi workmanship and the transition into the early Edo period. Blade The sword shows a clean and elegant sugata, with good length and very attractive overall proportions. The curvature is moderate, producing a sober, practical and well-resolved line. The kissaki is properly shaped and visually strong. The hamon is clearly visible and pleasing, developing in a gunome-midare with notare tendency, creating a lively, undulating and organic temper line along the edge. It has movement, personality and strong visual appeal. In the kissaki area, the hardening continues coherently into the boshi, reinforcing the good overall impression of the blade. The jihada\u00a0surface retains a very respectable appearance and attractive visual reading within the current polish. The whole blade conveys authenticity, age and a well-preserved classical Japanese aesthetic. The nakago, with three mekugi-ana and well-established old patina, gives the piece a strong sense of historical life. Along the mune, there is light old oxidation, discreet and fully integrated into the character of the sword, without in any way harming its presentation. Koshirae The katana is accompanied by a complete koshirae of dark, refined appearance, highly coherent with the character of the blade. The saya, finished in glossy black lacquer, gives the sword a sober and elegant visual identity. The tsuka, wrapped in black tsuka-ito over light samegawa, preserves the classic contrast that always works so well in serious and distinguished mountings. The gilt menuki introduce a subtle decorative accent that enriches the ensemble without disturbing its balance. The fuchi displays floral relief decoration with gilt details, delicate and well integrated. The tsuba, in iron and rounded form, has a solid classical presence, with relief decoration that complements the rest of the mounting very well. The habaki, in a golden tone, finishes the base of the blade convincingly and completes a visually powerful mounting highly attractive for collection. This koshirae, beyond protecting the sword, gives it body, identity and presence. Compared to the austere nakedness of a shirasaya, this is a mounting with visual weight, historical charm and clear display appeal. Conclusion This is a mumei katana from the late Muromachi to early Edo period, with direct, classical and distinctly Japanese presence. Its length, visible hamon, old three-hole nakago, and elegant complete koshirae come together in a set of strong visual and commercial appeal. It is a piece that immediately attracts the eye, while also preserving the depth of authenticity and age that serious collectors genuinely value. Technical sheet Japanese katanaMumeiPeriod: late Muromachi \u2013 early Edo, 16th\u201317th centuryNagasa: 69.6 cmSori: 1.0 cmMekugi-ana: 3Hamon: gunome-midare with notare tendencyNakago: old patina, 3 mekugi-anaCondition: good overall presentation; light old, discreet oxidation on the muneMounting: complete koshiraeSaya: black lacquerTsuka: black tsuka-ito over light samegawaTsuba: iron with relief decorationHabaki: golden tone<\/p>\n","protected":false},"featured_media":58460,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[354,353],"product_tag":[355,356],"class_list":{"0":"post-70849","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-katana-tachi","7":"product_cat-nihonto","8":"product_tag-katana","9":"product_tag-nihonto","10":"product_shipping_class-swords","12":"first","13":"instock","14":"featured","15":"sold-individually","16":"shipping-taxable","17":"purchasable","18":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nihonto Katana Dark Koshirae - Supein Nihonto<\/title>\n<meta name=\"description\" content=\"The sword shows a clean and elegant sugata, with good length and very attractive overall proportions. 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